Fruity Loops 7,8,9 and 10 Mixes.

The mixes on this page are created with the Image Line Fruity Loops programmes. The mixes are all zipped, because they are faster for you to download. If a mix has any "imported" or "tweeked" samples, they are normally saved into the mix, but it makes the file size much larger. Any message or text that you want to send with your mix will be added as well, unless stated otherwise..

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There are currently 316 mixes on this page, the last was uploaded on 25/02/2017 19:08:03.

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Mix Info:Profound Mystery 6:07mins @129BPM Tech Trance (Progressive)

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Here's another track i knocked up:).

US2K Review: This is an excellent tech trance mix with progressive influences. Until I can review it my provisional score is 9 out of 10. This is an essential listen for everyone into techno or trance of any type.


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Mix Info:Yoda Step (Millenium Falcon Mix) 5:16mins @135BPM Danceable Tech Trance

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Loved ripping this to bits Nige , great track m8 , hope i have done it justice!!!.

US2K Review: This is an excellent remix of my `Yoda Step` by Max Motion, until I can review it my provisional score is 10 out of 10. It well worth a listen to all techno and trance lovers.


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Mix Info:To The Point 2:59mins @132BPM Commercial Dance Trance

Overall Rating
Artist:Portal_Z



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Message sent with this Mix:
One that I made quite a while ago that I just wanted to see what responce it would get.

US2K Review: This is an excellent commercial catchy dance/trance mix. Until I can review it my provisional score is 9 out of 10.


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Mix Info:Yoda Step 4.49mins @146BPM Commercial Dance/Techno/Dubstep hybrid

Overall Rating
Artist:The_Appprentice



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Message sent with this Mix:
This is the new commercial dance sound with a twist of dub step, early Prodigy, Pendulum and techno.

US2K Review: This artist only requires promotion so there is no review


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Mix Info:Argentum 525 ( Trip To Oblivion )
(106Bpm and Rising) 3.6mins @106BPM Dub Step

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
Thanks for your help Nigel.

US2K Review: Max thanks me openly for help in his message but I only made suggestions on how he could improve his original version of this mix. The main change is that after 1 minute the beats enter what I would call double step/time (two snare hits for every one). This gives a nice impression that the mix has sped up and temporarily formed a drum and bass groove. Until I can provide a full review of this version of the mix I give it it a well deserved 10 out of 10. I suggest everyone who enjoys quality dub step gives this a listen.


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Mix Info:Anger 3:31mins @142BPM Dance/ Techno

Overall Rating
Artist:Max_Motion



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Message sent with this Mix:
This is probably how i am feeling at the moment and my anger at the attitude the world and governments have towards the menace and destroyer of lives and families , everyone probably have heard of it , it's called ' Alcohol' , money has the last word again.

US2K Review: This mix was always going to be a difficult mix to review. because of the delicate subject of something being in memory of someone, I was dreading it to be honest. Also in 2012 when I first heard the mix I did not like it due to the parts which are non harmonic and less catchy for dancing to which was important to me at the time, and the introduction had the potential for the dance floor.

I gave ten out of ten because art from the heart for a loved one is such a special thing and there was a demonstration of high musical skill even if it did not fit with my personal tastes. My understanding of music has matured and widened since, perhaps being less able to dance, and the fact I have a better sound card contributes.

Before I start reviewing I will say I like this mix much more now. This mix begins with a rhythm played on panning, filter swept synth (s). It could be a lead and bass or one instrument playing lower octaves on the left hand side, it is difficult to tell without the FL file. This is accompanied by a snare playing the second beat accent of a four on the floor without a bass drum. This continues to the seven seconds position at which point a breathy vox left of the speaker and another sound effect with a snare roll introduces the much needed bass drum for the four on the floor.

When the new drum pattern combines with the synths quite a catchy techno concept (main mix theme and hook 1) is forming, which could work on the dance floor with a hi hat, other subtle changes and possibly some harmonic pads to modernise it a bit. Main mix hook 1 continues to the thirty six seconds positions before a breathy vox right of the stereo-field and bass drum roll are used to freshen the hook so it can become interesting again when it repeats further towards the one minute two minute two second position.

At the two minutes three seconds posiiton a bass drum roll and whoosh announces the first bridge in the mix. The bridge is formed by the bass drum playing a syncapated broken beat whilst the existing aaccent snare is unchanged, but a an atmospheric hit sound is heard occasionally. The bridge continues to the one minute sixteen seconds position before the musical idea changes again when there a a dischordant non harmonic note sequence (possibly chromatic) begins. When I originally heard this musical idea I did not like it because it would be unlikely to work on the dance floor.

A lower octave note around the one minute twenty one seconds position announces a new catchier more harmonic musical concept, another synth enters the mix and the four on the floor bass drum pattern is re-instated whilst the snare changes from playing accent hits to a less mechanical more human improvised syncapated pattern.

The new theme is another potential dance floor filler, although it only plays for a short whilst before at the two minute fifteen seconds position a drum fill allows a new main theme (mix main theme 2) to start forming. To establish main theme two completely the bass and snare drum leave the mix briefly and there is a long sustained note played on a panning square wave synth followed by a pulsing acid sequence left of the stereo-field (which almost sounds like an old analogue radio tuner).

The bass drum and snare return after some fills at the two minute twenty six seconds position, at which point, although main theme two is firmly established the notes are initially too varied for a melodic hook to exist, so the mix remains a little descriptive.

The descriptive concept continues, with hook slowly forming from the earlier square wave synth playing a steady answering melody for the rhythmic melody formed by the other snyths, with various sound effects and drum rolls adding interest for the listener. It is not until the three minute, fourteen seconds mix positions and an atmospheric crash sound that main mix hook 2 is complete, with all synths playing steady catchy answers to each other.

Mix hook two continues to sound catchy with the aid of effects and drum fills to the three minute forty seven seconds position. After a drum there is an important change, the bass drum pattern changes to a slower break beat pattern temporarly. This time it gives the impression that the mix is going to finish. It is possible the synths play a slower melody too but this could be an illusion due to the slowed down bass drum.

This idea continues to the four minute play position, but then all drums leave the mix but at the point where the listener thinks its `all over` some beeps, a snare fill, atmospheric clap and then a full snare roll gets the mix in `full swing again` This kind of musical trick is commonly known as a false ending in classical music.

From this point a variation of main mix hook 2 is heard up to the four minute thirty one second position, after that point a repeat of the false ending takes place but it is not false this time. The last moments of the mix from the four minute forty two onwards involves the removal of all drums, the melodic theme of main mix hook two is restated, before some delayed acid synth notes sweep from the left of the stereo-field to the right.

The mix ends cleanly on the fade out of the delay tail of the acid synth. This has been the hardest review of my life to do, but my final evaluation of this mix involves the following factors, catchiness of melody lines (8/10), general demonstration of musical skill (10/10), use of sound effects, drum fills/rolls, crashes and natural musical cue points for changes or adding interest to the mix (10/10), intelligence of musical structure (9/10), use of instrument or arrangement changes or general variation to maintain listener interest (10/10) ,use of equalisation, stereo-positioning, reverb/delay, compression and other sound engineering or mastering techniques (8/10), wide audience appeal (8/10 because too many changes and especially long chromatic non harmonic sections narrow the audience).

The average score would go down to 8 out of 10 but I am going to add extra point due the fact the mix is art from the heart, so my final score is 9 out of 10. Steve contact me about a collab with the original FL file if you still have it because there are some potential dance floor hits in this mix, a better memory for your brother would be some great musical spin-offs especially now the followers of the site are rocketing. Intelligent or film score techno fans will love this mix, I like it more than when I first heard it., even though it is a very polished techno production.